An old man stands in the middle
Of one of Sebastiano Ricci's figure studies
His right arm is half-extended;
Two, maybe three, fingers are raised
In what could be a blessing
But might mean he wants directions
Or is signalling he'd like a ride.
Meanwhile, the surrounding figures
Snub him, stare at him, talk to him,
Or pretend they don't see him because
They're inexplicably fascinated by
Their own feet which probe the shallows
Of a wide and invisible river.
He's not sure who he is but is willing
To be a Greek philosopher or Time or Moses
Or your grandfather's father's ghost who,
If he can only find you, will offer
Some bits of really useful advice.
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