My first real job in the business
Was with a small place that did
Bespoke work -- epigrams, mostly,
And short lyrics. The timekeeper
Rang a bell when we finished a sonnet
And the staff would applaud.
We were, in our way, respectable
And could rouse a small muse
To show the licensing authorities.
There was, of course, a back door
Where we took deliveries
And sold dubious incantations.
It was madness to take a contract
For an epic and madness twice over
To promise it on a short deadline.
No one went home for weeks; the old witch
From next door brought us cauldrons
Of strong coffee; the young witch
Who lived with her watched our back door
And dragooned surprised customers
Into helping out. Retired writers,
Two of them thought dead and three
Actually so, returned to work.
The poem itself? It could have been worse.
Not much plot: six and a half brothers
Seek their lost birthright; five sisters
Go hunting in an ensorcelled woods.
(The remaining half of a brother
Enrolls in business school and does
Quite well for himself.) We had some luck;
Inanna, an Akkadian goddess of all work
With concentrations in sex, war,
Justice, knotwork, and political power
(Between engagements for two thousand years)
Came with her lion and her complete set
Of symbols and attributes: hook-shaped reed knots,
Eight-pointed stars, horned helmets, rosettes, doves,
Ring-headed doorposts,
And the Planet Venus. I still see her
Occasionally; she's promised me her help
If I leave poetry and take up war.
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