Since I am generally held to be
The Good Son the smart money is that
I'm actually evil or that, put to the test
I will crumble under pressure. At best,
I can hope to prove a weaselly hypocrite
Or to have a serious drinking problem.
A portmanteau
Since I am generally held to be
The Good Son the smart money is that
I'm actually evil or that, put to the test
I will crumble under pressure. At best,
I can hope to prove a weaselly hypocrite
Or to have a serious drinking problem.
Somewhere a shadow
Digs my grave. He's in no hurry
But the thing gets slowly deeper.
I try to distract him, pretend
To feel sympathy. "Poor chap!
Out in such weather!"
I offer to trade a tea-spoon
For his shovel saying
He'd be a fool to refuse
An elegant utensil, made
From genuine silver-plated tin.
When he's not looking,
I kick some dirt back in.
There was a time, years ago, when I
Was constantly asked for directions
Then it stopped -- my look became
Less trustworthy perhaps. Now
I'm being asked again, in languages
I don't know; I answer anyway
Really, I'll have to follow someone
To see where they wind up.
Going to my job I'd usually
Walk through a passage that
Was either a dark, narrow street or
A broad, well-lit alley. Partway,
The shadow I wore at home
Would slip off, nodding to the utility player
Who'd dog my steps at work. Protocol
Demanded I pretend not to notice.
A small bird -- possibly a female robin --
Called to me that she was the legal representative
Of Sara Teasdale and that I should know
Her client had insisted that her books of poems
Include a notice that "For permission to set
Any of the poems to music, application
Should be made to the author." I said I
Had no intention of setting anyone's poems to music
Any anyway Sara Teasdale has been dead
Since 1933. The bird said "We're working on that and,
In any event, we're putting you on notice. There is
Something about your eyes we don't trust; something
That says 'I wonder what the October poem
Would sound like as a maxixe?'"