Silence is, of course,
Silence so when I ask
What's with the flute
You're carrying
She says
Nothing but points
To the small drum
She has strapped to her hip
Which I suppose
Wanted company.
A portmanteau
Silence is, of course,
Silence so when I ask
What's with the flute
You're carrying
She says
Nothing but points
To the small drum
She has strapped to her hip
Which I suppose
Wanted company.
1918; Max reads Charles Reznikoff's poem
About the shopgirls leaving work
So the rats and roaches can begin their shifts
Reznikoff's family makes hats. Sometimes
Reznikoff sells them. Max makes coats.
On her day off, a shopgirl -- I see her
As tall and thin and talkative, moving
Rapidly or not at all -- could wear
A Reznikoff hat and a Max-made coat;
My other grandfather, Joe
Could make a watch for her. No;
It's 1918 and Joe is in the army. His father
Juda will have to make it and sell it
From his shop on a street that will disappear
Thirty years later to make an approach
To the Brooklyn Battery Tunnel. Still
We in 1918 could care less; we're thinking
Of that tall shopgirl and wondering
What, if anything, she's wearing
Besides a coat and a hat and a watch.
I have sinned, Saint 467 --
Intercede for me and I
Will build for you an altar
Between those of Saint 394
Who once lent me ten dollars
And Saints 606 and 909
One of whom gave me a cat.
When there is one God, says Sobek,
Holding a beer in his thick-clawed hand,
It is His nature to fill everywhere,
To be everything. This leaves no room
For anyone else. Think how lonely that is!
You try to amuse Yourself; You invent Time
Hoping something will happen; nothing does
Until there is something else. Usually a dog.
Someday, though, a crocodile. Just wait
And see what sort of universe God will make
When He has a crocodile!
Perhaps God is a bit deaf so that
Ten men must talk together
To make Him hear and, even so,
He often misses some fine nuance
Or misunderstands us entirely.