Carnea, the Roman goddess
Of door-hinges, has
A license to forgive sins so long
As they aren't major
And involve hardware.
Carnea, the Roman goddess
Of door-hinges, has
A license to forgive sins so long
As they aren't major
And involve hardware.
My father's friend John Drachmann
Could've died several times in the War
But his musette bag -- a hardy confection
Of brass and canvas -- would have survived
Anything short of a direct hit by a shell
Or being doused in gasoline and set on fire.
He gave it to me when he gave away
Everything that reminded him he'd been a soldier.
My brother got his dogtags and bitterly regretted
Our mother not letting him have a spent bullet
On which John had scratched his initials.
Entering the courtroom you must
Be prepared for anything. You may
Be tossed a robe and expected
To sit up high, rendering judgments.
Equally, you may have to put on
Clothes that don't fit, a jailhouse pallor
And a look of anxious guilt as you mutter
"Not guilty, Your Honor." Or you may
Be left almost featureless prepared
To be the spectator who's wandered in
Since it's raining and he's nowhere else to be.
When I was fifteen or so I had a series
Of the most boring dreams imaginable --
Worse, even, than Prince Genji's dream
About having fallen asleep. In my dreams
Quite ordinary things happened -- I went to school
And came home. The things I learned
Were plausible; I remained fully dressed,
Never found I had to take a test in a room
That hid itself. I did exactly as well on dream tests
As I did on real ones. My friends behaved
As they usually did. One of them told me
His sister was getting married. (If she'd been three
I might have said "I'm dreaming," but she was 26.)
Perhaps these dreams were rejected drafts
For my actual days. No harm was done; I just have
Clear memories of things that never happened.
Esther was an accomplished woman who could
Make noodles from scratch or learn a language
From her children's books or safely use for years
A kitchen knife that had a curse on it. When she died
Her four surviving daughters -- who got their noodles
From boxes -- decided the best thing to do
Would be to bury the knife and the second best thing
Would be to not tell their brothers where they buried it.
I don't know what Heaven's like
When you see it but my Heaven
Is filled with dust -- dust on the ground
And on the immortal wheels which
Turn and turn and must keep turning.
It slows-filters from the dusklit sky, lighting
On wings and halos, on harps and horns.
It isn't glorious (as many things in Heaven are)
Nor terrible (as some things in Heaven are);
It's the same dust you might see anywhere on Earth
Resting on the doorsills in an old house
Covering the floor of the box room
Hiding, almost, a small green idol
Lost long ago in another place entirely.
Under the former dispensation the Shadow of God
Was just that -- a shadow, though one of
Particular weight and substance not the one-ply
Sort of thing must people drag around with them.
It had free will and, when God wasn't using it,
A life of its own -- much of it, alas, spent
Among alewives and tosspots and in places
Of low repute. People wary of approaching God
Would seek out His shadow who, for a drink
Or a meal or smile would offer advice
Or, once in a very great while, a miracle.
Dispensations pass; the new one
Includes the Angel of Clarification whose job
Is to insert (in parentheses) explanations
That words don't mean what they say
As in "Safe in God's hands (not that He has hands)"
Or "Tremble before God's Wrath (not that He feels wrath"
Or "In the Heart of God (not that He has a heart)."
The Shadow of God resents this and every time
The Angel approaches him with parentheses
Gives him so fierce a look that the Angel,
Pretending he hasn't noticed him,
Asks the nearest alewife for a stiff drink
(Not that angels have money).