The
Kraken has slept since before the world’s first beginning and has managed to
stay asleep on the ocean’s floor through every beginning since, even the
extravagantly loud ones and the one made mostly of screeching colored lights
which Coyote made to win a wager. So long has he slept that his dreams have put
on substance and walk about as men, though their way in the world is seldom
easy.
If
you look at Moxon’s edition of the Collected Poems (though you never bought a
copy and were never given one, one has appeared on your shelves) there is a
poem about the Kraken which Alfred Tennyson wrote when he was 18 or so, in
which he summarizes the Kraken’s fate which is, at the end of the world to
“rise roaring to the surface” and die. Tennyson, however, died well before the
Kraken, and was waylaid on his way to the afterlife by the ghost of his friend
Edward Fitzgerald.
When
they thought of Tennyson, his friends usually did not first think of his being
a great poet. Cigars summed him up for some; others thought of his beard, his
extravagant sorrow over Hallam’s death, his temper, or his grandly fluent
profanity. For Fitzgerald, the essence of Tennyson had communicated itself to
the hats he wore, which were no sooner clapped on his head than they underwent
peculiar changes, as if their identity had become fluid. It is a rare if
pointless gift to be able to effortlessly make a silk top hat fancy itself a
sombrero.
Fitzgerald
had been a noticing man, and had become a noticing ghost. He had been shadowing
Tennyson’s spirit for some while and was sure it had started out bare-headed.
Somehow, it had acquired a hat of even more than ordinary disreputability.
“Tennyson, that is an appalling hat!”
“Fitz?
How glad I am to see you! Strange; I never imagined those as the first words
I’d hear after I died.”
“I
had something much more impressive prepared but that hat has driven them out of
my head.”
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