That woman from whom you
Just now bought a shoelace --
Sturdy, dark-eyed, a bit stout --
Was Persephone until she saw
Some Spring's first blossom
And wasn't at all surprised.
A portmanteau
That woman from whom you
Just now bought a shoelace --
Sturdy, dark-eyed, a bit stout --
Was Persephone until she saw
Some Spring's first blossom
And wasn't at all surprised.
Since it's just the sort of overpowered black car
You'd expect Death to have I'm not surprised
To see him driving it, his hands at ten and two;
My Aunt Rose, having called shotgun, sits beside him.
This too is not surprising though I wonder
How she persuaded him to wear a chauffeur's cap.
She nods at me and carefully turns one gloved hand
Thirty degrees to the left then thirty degrees to the right --
A monarch acknowledging a subject's existence.
She looks pretty well, all things considered,
Her eyes still blue and sharp and cold.
Silence is, of course,
Silence so when I ask
What's with the flute
You're carrying
She says
Nothing but points
To the small drum
She has strapped to her hip
Which I suppose
Wanted company.
1918; Max reads Charles Reznikoff's poem
About the shopgirls leaving work
So the rats and roaches can begin their shifts
Reznikoff's family makes hats. Sometimes
Reznikoff sells them. Max makes coats.
On her day off, a shopgirl -- I see her
As tall and thin and talkative, moving
Rapidly or not at all -- could wear
A Reznikoff hat and a Max-made coat;
My other grandfather, Joe
Could make a watch for her. No;
It's 1918 and Joe is in the army. His father
Juda will have to make it and sell it
From his shop on a street that will disappear
Thirty years later to make an approach
To the Brooklyn Battery Tunnel. Still
We in 1918 could care less; we're thinking
Of that tall shopgirl and wondering
What, if anything, she's wearing
Besides a coat and a hat and a watch.
I have sinned, Saint 467 --
Intercede for me and I
Will build for you an altar
Between those of Saint 394
Who once lent me ten dollars
And Saints 606 and 909
One of whom gave me a cat.